![]() There are sudden rises and drops in the aural textures, and bits of music that are flung over the film like sprinkles over a row of cupcakes. In the first chapter, he says of the blur of images, ''The first idea was to keep them chronological, but then I gave up and I just began splicing them together by chance.'' You can actually hear the cuts as the ambience is abruptly broken up he wants to remind us of the rough edges and shifts of thought to be found in anyone's diary. A Supporting-Actress Underdog: In “Everything Everywhere All at Once,” don’t discount the pivotal presence of Stephanie Hsu.Sundance and the Oscars : Which films from the festival could follow “CODA” to the 2024 Academy Awards.An Andrea Riseborough FAQ : Confused about the brouhaha surrounding the best actress nominee? We explain why her nod was controversial.The Tom Cruise Factor : Stars were starstruck when the “Top Gun: Maverick” headliner showed up at the Oscar nominees luncheon.Kyle Buchanan is covering the films, personalities and events along the way. The Projectionist Chronicles the Awards Season The Oscars aren’t until March, but the campaigns have begun. Mekas must be enormously tickled by the gentle self-mockery of the title, and there is often an amused sigh in his narration.) ![]() ![]() Paternal love is the film's most consistent element. ''As I Was Moving Ahead'' at the very least is a meditation on his complicated and shifting feelings about parenthood: it's packed with shots of his daughters, both choppy and leisurely, that make clear the positions they occupy in their daddy's eye (and lens) they're covered from infancy through first Communion, with soaring, ethereal choral music over the latter. Mekas provides more of an immersion into his personal life than he has allowed anyone to view before in the welter of films he has built up over his career. It's a fleeting storm of a film, with pockets of rhythms that suggest the ebb and flow of a naturally unfolding event - though for some, its length may call for coffee and blankets. With its intentionally rough-hewn cuts, it is a journal, with hand-typed titles interspersed throughout that skitter past like lightning flashes and are meant to evoke moments. The film is a first - the home movie as epic. At almost five hours, the movie is brief only when compared with Mr. Mekas's life into a few hours of blissful, and eventually mournful, experience. At 288 minutes, this is a blizzard of detail and filmmaking technique, and the movie crystallizes Mr. Mekas's latest film suggests the amount of time you'll have to devote to it. The genre had been turned into the oxymoron renegade institutionalism by adherents of the Dogma 95 movement, as exemplified by Lars von Trier's ''Breaking the Waves'' and by the films of other practitioners. Mekas reclaims minimalism with ''As I Was Moving Ahead,'' which begins a five-day run today at the Anthology Film Archives. ''It's the ultimate Dogma movie, before the birth of Dogma,'' the experimental filmmaker Jonas Mekas says of his minutiae-ridden sprawl of a movie, ''As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty.'' An old-school independent filmmaker, Mr.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |